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Fela Kuti

Fela's life is full of contradictions, and that's part of what makes him so captivating. People who love him accept the parts of him that aren't perfect.

His songs typically last up to 20 minutes, and are sung in thick, almost incomprehensible Pidgin English. His music is inspired by Christian hymns, jazz, classical music Yoruba singing, and horn-andguitar heavy highlife.

He was a musician

Fela Kuti embodied that music can be used to transform the world. He utilized his music to call for changes in the political and social spheres, and his influence can be felt in the world today. His musical style, Afrobeat, is a blend of African and Western influences. Its roots are in West-African and funk. However it has evolved into a brand new genre.

His political activism was ferocious and unflinching. He made use of his music to protest against government corruption and human rights violations. Songs such as "Zombie", "Coffin for the State Head" and others were bold critiques of Nigeria's regime. He also referred to Kalakuta as a place to connect with like-minded individuals and to promote political activism.

The production features a huge portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. The actress who portrays her is Shantel Cribbs, who successfully conveyed her significance in the life of Fela. The play also focuses on her political activism. Despite her deteriorating health she refused to be checked for AIDS and instead opted for traditional treatments.

He was a musician

Fela Ransome Kuti was a multifaceted person who utilized music to bring about political change. He is credited with being the creator of afrobeat, an energetic mix of funk and traditional African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders.

Being raised by an anti-colonial suffragist mom and a feminist father, it's not a surprise that Fela was interested in politics and social commentary. His parents wanted him to become a physician however, he had other plans.

While he started in a more apolitical, highlife style, a trip to America changed his outlook forever. The music he composed was greatly influenced by his exposure to Black Power movements and leaders such as Eldridge Clever and Malcolm X. He adopted the Pan-Africanism philosophy, that would influence and guide his later work.

He was a music producer

Fela was introduced to Black Power activists like Stokely Carmichael, and Malcolm X during his time in the United States. This led him to create an activist group known as the Movement of the People and write songs that expressed the ideas he had about political activism and black awareness. His ideas were expressed in public via the method of yabis, which is which is a form of public speaking that is referred to as "freedom of expression". He also began to enforce strict moral codes for his band, including refusing to take medications from doctors trained in the West.

After his return to Nigeria Fela started building his own club and the Shrine in Ikeja. Raids from police and military officials were almost every day. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drugs particularly "bana" and "yamuna" (heroin). Fela kept his integrity despite this. His music speaks to his determination to challenge authority and demanding that the popular goals are manifested in official goals. It is a legacy that will last for generations.

He was a poet

In his music, Fela used light-hearted sarcasm to discuss political and economic issues in Nigeria. He also mocked his audience as well as the government and himself. He often referred to himself during these shows as "the big dick on the little pond." The authorities were not taking his jokes lightly and he was often detained and detained, as well as beat by the authorities. He was eventually given the name Anikulapo, which means "he carries his death in his bag."

In 1977, Fela recorded a song called "Zombie," which compared soldiers to zombies who followed orders without question. This irritated the military, which raided the Kalakuta Republic, burning it down and beating its occupants. During the raid, her mother was thrown from her second-floor window.

Fela developed Afrobeat in the years that followed the nation's independence. Afrobeat is a music genre that combines jazz and indigenous African rhythm. His songs criticized European culture imperialism and supported African traditional religions and cultures. He also criticized fellow Africans who violated their country's customs. He emphasized the importance of human rights and freedom.

He was a rapper

A saxophonist, trumpeter, composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz, rock and roll and traditional African music and chants, which influenced his style of music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work profoundly.

Fela's music became a political instrument upon his return to Nigeria. He criticized the government of his country and argued against Western sensibilities that affected African culture. He also wrote about social injustices and human right violations. He was frequently detained for his criticism of the military.

Fela was also a proponent of marijuana in Africa, which is known as "igbo". He held "yabis" (public discussions) at Afrika Shrine, where he would mock government officials and express his views on freedom of expression and beauty of women's bodies. Fela also had a group of young women who performed in his shows and acted as vocal backups for his vocalists.

He was a dancer

Fela was a master of musical fusion. He combined elements of jazz, beat music, and highlife into his own distinctive style. He influenced generations of African musicians and was an outspoken critic of colonial rule.

Fela refused to be detained and tortured by the Nigerian military junta as well being a witness to the murder of his mother. He died of complications related to AIDS in 1997.

Fela was a well-known political activist who was critical of the oppressive Nigerian Government and endorsed the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial parties. He also emphasized black power and criticized Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. The title track from an album released in 1978, Shuffering and Shmiling, describes the over-crammed public busses filled with poor workers "shuffering and smiling." Fela was a fierce opponent of religious hypocrisy. The dancers of Fela were an excellent complement to his music. They were vibrant, sensual and regal. Their contributions were as significant as Fela's words.

He was a political activist

Fela Kuti utilized music as a way to challenge oppressive authorities. He adapted his knowledge of American jazz and funk to African patterns and rhythms making a sound that was ready for fight. Most of his songs begin with slow-burning instrumentals, then layering little riffs and long-lined melodies until they explode in a flash of vigor.

Fela like many artists who were afraid to discuss their political beliefs was unflinching and Railroad Injury Fela Lawyer uncompromising. He stood for his beliefs even when it was risky to do so. His mother, Funmilayo Ransome-Kuti was a prominent feminist who led the Nigerian Women's movement. His father was both a protestant minister, and the head of the teachers' union.

He also created Kalakuta Republic, a commune and recording studio that was an emblem of resistance. The government raided the commune, degrading the property and hurting Fela severely. He refused to relent, though and continued to speak out against the government. He passed away from complications of AIDS in 1997. His son Femi continues to carry on his political and musical legacy.

He was a father

Music is often viewed by many as a form of political protest. Artists use lyrics to call for a change. However, some of the most effective music-related protests don't rely on words in any way. Fela Kuti is among the artists mentioned above and his music resonates today. He pioneered Afrobeat which combines traditional African rhythms and harmonies with jazz and funk, being influenced by artists such as James Brown.

Fela's mother, Funmilayo Ransome-Kuti was a militant and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should serve its all citizens.

Fela's son Seun is continuing his father's legacy, through the band Egypt 80 that's touring the world this year. The band's music combines the music and politics of Fela's day with a searing denunciation of the same power structures that persist today. The album, Black Times, will be released in March. Many fans attended the funeral held in Tafawa Balewa square. The crowd was so huge that police were forced to shut down the entrance to the location.